|
|
1972 |
Reality's Invisible |
Himself |
|
|
1969 |
Filmmakers |
Himself |
| Режиссёр |
|
|
1983 |
Micro Cosmos 1-4 |
|
|
1983 |
Reeling in TV Time |
|
|
1983 |
Self-Poured Traits |
|
|
1983 |
Sonia and Stan Paint a Portrait of Ronnie |
|
|
1981 |
After Laughter |
|
|
1981 |
Face Concert |
|
|
1980 |
Euclidean Illusions |
|
|
1980 |
Mirrored Reason |
|
|
1977 |
Color Fields Left |
|
|
1977 |
Strobe Ode |
|
|
1977 |
Vanishing Point Left |
|
|
1972 |
Symmetricks |
|
|
1972 |
The Computer Generation |
|
|
1972 |
Who Ho Rays No. 1 |
|
|
1970 |
Moirage |
|
|
1970 |
Videospace |
|
|
1968 |
Ad Infinitum |
|
|
1968 |
Film Form No. 1 |
|
|
1968 |
Oh |
|
|
1968 |
Poem Field No. 5: Free Fall |
|
|
1968 |
Superimposition |
|
|
1967 |
A Dam Rib Bed |
|
|
1967 |
Expo Faces |
|
|
1967 |
For Life, Against the War |
|
|
1967 |
Image After Image |
|
|
1967 |
Man and His World |
|
|
1967 |
Panels for the Walls of the World |
|
|
1967 |
Poem Field No. 1 |
|
|
1967 |
Poem Field No. 3 |
|
|
1967 |
Poem Field No. 7 |
|
|
1967 |
Poem Field Series |
|
|
1967 |
Poemfield No. 1 (Blue Version) |
|
|
1967 |
Spherical Space No. 1 |
|
|
1966 |
Collide: Oscope |
|
|
1966 |
Movie-Drome |
|
|
1966 |
Poem Field No. 2 |
|
|
1966 |
Vision III |
|
|
1965 |
Facescapes |
|
|
1965 |
Movie-Movies |
|
|
1965 |
Pastorale |
|
|
1965 |
See Saw Seams |
|
|
1965 |
The Birth of the American Flag |
|
|
1965 |
The Human Face Is a Monument |
|
|
1964 |
Fluids |
|
|
1964 |
Newsreel of Dreams 1 & 2 |
|
|
1964 |
Phenomenon No. 1 |
|
|
1964 |
Site |
|
|
1963 |
Breathdeath |
|
|
1963 |
Summit |
|
|
1962 |
Skullduggery |
|
|
1961 |
Snapshots of the City |
|
|
1960 |
Achooo Mr. Kerrooschev |
|
|
1960 |
Black and White, Day and Night |
|
|
1960 |
The Smiling Workman |
|
|
1959 |
A La Mode |
|
|
1959 |
Astral Man |
|
|
1959 |
Dance of the Looney Spoons |
|
|
1959 |
Science Friction |
|
|
1959 |
Street Meat |
|
|
1959 |
Wheeeeels No. 2 |
|
|
1958 |
Wheeeels No. 1 |
|
|
1957 |
Mankinda |
|
|
1957 |
What, Who, How |
| Оператор |
|
|
1967 |
Fuses |
| Сценарист |
|
|
1959 |
A La Mode |