|
1953 |
Turn the Key Softly |
Bystander |
|
1953 |
Will Any Gentleman...? |
Stout Man |
|
1952 |
Introducing the New Worker |
Director |
|
1952 |
To the Rescue |
Mr. Polly |
|
1951 |
Facts and Fancies |
Father |
|
1951 |
The Silent Order |
Narrator (voice) |
|
1950 |
Moving House |
Uncle Bob |
|
1950 |
The Cure |
John Brown |
|
1949 |
Handkerchief Drill |
Husband |
|
1948 |
Pedestrian Crossing |
Mr. A |
|
1948 |
What a Life! |
Mr. A |
|
1943 |
In Which We Live: Being the Story of a Suit Told by Itself |
Man in Pub |
|
1942 |
The Five-Inch Bather |
The Bather |
|
1934 |
Tell Me If It Hurts |
Customer |
Режиссёр |
|
1952 |
Introducing the New Worker |
|
1950 |
Moving House |
|
1950 |
The Cure |
|
1947 |
Agricultural Holiday Camps |
|
1947 |
Pedal Cyclists |
|
1947 |
They Travel By Air |
|
1946 |
An Englishman's Home.......... |
|
1946 |
Influenza |
|
1946 |
Pool of Contentment |
|
1946 |
Women After the War |
|
1945 |
Cambridge |
|
1945 |
Coughs and Sneezes |
|
1945 |
Down at the Local |
|
1945 |
Seeing Them Through |
|
1944 |
Elopement in France |
|
1944 |
Piccadilly Roundabout |
|
1943 |
In Which We Live: Being the Story of a Suit Told by Itself |
|
1943 |
Post Haste |
|
1942 |
The Five-Inch Bather |
|
1938 |
Mony a Pickle |
|
1937 |
Daily Round |
|
1936 |
And So to Work |
|
1934 |
Tell Me If It Hurts |
Продюссер |
|
1952 |
Brief City |
|
1952 |
To the Rescue |
|
1951 |
Facts and Fancies |
|
1950 |
Help Yourself |
|
1949 |
Another Case of Poisoning |
|
1949 |
Warning to Travellers |
|
1948 |
Health in Our Time |
|
1947 |
Agricultural Holiday Camps |
|
1947 |
Playing in the Road |
|
1946 |
Influenza |
|
1946 |
Women After the War |
|
1943 |
Post Haste |
|
1942 |
The Five-Inch Bather |
|
1936 |
And So to Work |
Сценарист |
|
1950 |
The Cure |
|
1948 |
What a Life! |
|
1947 |
Agricultural Holiday Camps |
|
1946 |
Women After the War |
|
1943 |
In Which We Live: Being the Story of a Suit Told by Itself |
|
1942 |
The Five-Inch Bather |